abstract of Arts, Agents, Artifacts: Photography's Automatisms
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Recent advances in paleoarchaeology show why nothing in the Tate Modern, where a conference on "Agency \& Automatism" took place, challenges the roots of 'the idea of the fine arts' (Kristeller) as high levels of craft, aesthetics, mimesis and mental expression, as exemplifying cultures: it is by them that we define our species. This paper identifies and deals with resistances, early and late, to photographic fine art as based on concerns about automatism reducing human agency--that is, mental expression--then offers the fuller account of agency lacking in such discussions. But fine art is not the only value classification we use.